sunlight

photograph by james cater, 2019

photograph by james cater, 2019

how do we know

when it is done?

says the little

writer in me.

and

the response

i get

so full

of fret

is that

of course

it never is.

 

so i sit in the parks

watching the pigeons

peck and puzzle

over abandoned boxes

of cold, oily chips;

watch as half thought

winds

map the jitters

of angry leaves

throwing oscillating

shadows

over tear-drop

ponds;

watch the sweat

crest a knuckle,

descend a forefinger,

bloom upon

a thumb so

caked with earth

that forgotten

gardens are in

awe of me.

 

sunlight. sunlight. heat thumping in my temples.

 

and sometimes

while i drink and smoke

and talk of beautiful women

and men so mad with envy

and loving and self-loathing,

so beautiful in their own self-right,

muscular, taut, antithesis of weakness;

things proposed in fiction, purely,

in their naked innocence,

sunlight in their ego

sunlight in their idiocy

sunlight in their tragic self pursuit,

then

i get to thinking

i cannot write,

the poems are too big,

the people are too real,

the city and the parks and the waterways, the shadows of trees moving past me,

and even the damn pigeons, so clucky and cunning and confused,

singing, singing

foolishly 

of the sunlight raining

through the holes

in my shoes

and the dance

of the toes

ready to go

and the movements

of things

i cannot possibly know

except that

sunlight illuminates

us all

and steals us from the stories

of the night.

 

and if i can

pinpoint

a tickling

armpit,

or a sapling surrendered

to the roots growing inward,

or a magnanimous, magnificent

moment

where the sunlight primely

distorts into being

the abrupt simplicity

of a high-speed collision,

the elegance

of a paw of smoke

and the immense strength

of winter’s cloud

rising in shades of lilac,

well then,

ofcourse,

my voice

is always

thinking.

this poetry

put simply

is overwhelming.

 

but

on occasion

rare as they might be

today perhaps, tomorrow almost certainly,

there is a sweet and dire connection

between the writer and the wordless.

for when i cannot say it straight

it comes like hapless poetry,

the sunlight thrumming through me.

 

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